We the Kings, The Summer Set, The Downtown Fiction, Hot Chelle Rae, Action Item
(Photo by Hannah Wilson)
I was discussing music with my Scottish friend the other day. We’re the same age, and he was telling me that when he was in his teens there was nothing more important to him then finding out who had the number one song on the U.K. singles chart. Well, maybe his football club Celtic was a bit more important, but music was certainly a priority. At the that time an older co-worker told him “Brian, there will come a day when you don’t care who’s number one,” to which my friend laughed and said “never.”
About that same time in America, I was knee-deep in college radio and music journalism. I couldn’t imagine a time would come when I wasn’t obsessed with finding new bands. You know where this is going though right? We’re both big music fans, and in the past few years I’ve ramped up my search for new artists. Not because I’m tired of my collection, but because I want to keep that from happening.
Still, it’s not the same as back in the day. What happened? Well, primarily family, wish I wouldn’t trade for anything of course. And it’s family that has nudged me back toward music. My 13 year-old daughter, not unlike most kids her age, is very into music. When she heard that several of her favorite bands were coming to Columbus, she begged us to take her. She’s a good kid, so it didn’t take much convincing.
I drew concert duty, while my wife and younger daughter went shopping in C’bus. The little one was a bit disappointed, as her sister had made her a fan of most of the acts on the bill, particularly The Downtown Fiction and Hot Chelle Rae. I had become a fan of the latter, based largely on their hit single “Tonight, Tonight.” She was a good sport though, and got a surprise phone call while we were at the concert.
Five bands on one bill is a lot, and I’m pretty sure I would have felt that way 20 years ago, but quite a value for today’s young concertgoer. At 6:30 sharp, Action Item took the stage. Shortly before that, we met and interviewed Hot Chelle Rae. “This is so cool,” my daughter said as we made our way backstage. “That’s The Summer Set’s dressing room!” Further down the hall we found the kids from HCR. We crowded out on the fire escape with lead singer R.K. Follese and bass player Ian Keaggy. As a rule of thumb, I dislike virtually everything in the top 40, however HCR’s “Tonight, Tonight” is not only an exception, but arguably the song of the summer for 2011.
“That’s what we keep hearing,” said the group’s lead vocalist R.K. Follese. “I don’t think it’s going to get old, and we kinda like that.” It’s certainly one of the most perfectly crafted pop songs in recent memory.
“It’s one of the highest compliments we can have,” added bass player Ian Keaggy.
“It’s really the same three chords,” RK noted, “which is what a lot of our material is. We like to keep the same chords, because it’s really about the melody. And we wanted something catchy and fun for summer.” Mission accomplished.
During the interview I was surprised to learn that these boys don’t consider themselves an alternative act like say, The Strokes, or even the other bands on the bill. They see themselves more in the vein of Maroon 5, or the Script. That being said, they list influences that run from The Beatles and Queen to Muse and Everclear. When I mentioned that they kind of put me in the mind of Rooney, R.K. excitedly said “yeah, Rooney, great one.”
Before we turned them loose, my daughter snapped a few pics. Meanwhile I took out my cell phone and called my younger daughter, then handed it to R.K. “Hi this is R.K. from Hot Chelle Rae, I hear you’re a big fan and know all the words to our song…we’re sorry you couldn’t come out and see us…yes, I know you’re only seven, but you’ll have to see us next time,” he said chuckling. Just the nicest young band you’d ever want to meet.
(Photo by Hannah Wilson)
I was discussing music with my Scottish friend the other day. We’re the same age, and he was telling me that when he was in his teens there was nothing more important to him then finding out who had the number one song on the U.K. singles chart. Well, maybe his football club Celtic was a bit more important, but music was certainly a priority. At the that time an older co-worker told him “Brian, there will come a day when you don’t care who’s number one,” to which my friend laughed and said “never.”
About that same time in America, I was knee-deep in college radio and music journalism. I couldn’t imagine a time would come when I wasn’t obsessed with finding new bands. You know where this is going though right? We’re both big music fans, and in the past few years I’ve ramped up my search for new artists. Not because I’m tired of my collection, but because I want to keep that from happening.
Still, it’s not the same as back in the day. What happened? Well, primarily family, wish I wouldn’t trade for anything of course. And it’s family that has nudged me back toward music. My 13 year-old daughter, not unlike most kids her age, is very into music. When she heard that several of her favorite bands were coming to Columbus, she begged us to take her. She’s a good kid, so it didn’t take much convincing.
I drew concert duty, while my wife and younger daughter went shopping in C’bus. The little one was a bit disappointed, as her sister had made her a fan of most of the acts on the bill, particularly The Downtown Fiction and Hot Chelle Rae. I had become a fan of the latter, based largely on their hit single “Tonight, Tonight.” She was a good sport though, and got a surprise phone call while we were at the concert.
Five bands on one bill is a lot, and I’m pretty sure I would have felt that way 20 years ago, but quite a value for today’s young concertgoer. At 6:30 sharp, Action Item took the stage. Shortly before that, we met and interviewed Hot Chelle Rae. “This is so cool,” my daughter said as we made our way backstage. “That’s The Summer Set’s dressing room!” Further down the hall we found the kids from HCR. We crowded out on the fire escape with lead singer R.K. Follese and bass player Ian Keaggy. As a rule of thumb, I dislike virtually everything in the top 40, however HCR’s “Tonight, Tonight” is not only an exception, but arguably the song of the summer for 2011.
“That’s what we keep hearing,” said the group’s lead vocalist R.K. Follese. “I don’t think it’s going to get old, and we kinda like that.” It’s certainly one of the most perfectly crafted pop songs in recent memory.
“It’s one of the highest compliments we can have,” added bass player Ian Keaggy.
“It’s really the same three chords,” RK noted, “which is what a lot of our material is. We like to keep the same chords, because it’s really about the melody. And we wanted something catchy and fun for summer.” Mission accomplished.
During the interview I was surprised to learn that these boys don’t consider themselves an alternative act like say, The Strokes, or even the other bands on the bill. They see themselves more in the vein of Maroon 5, or the Script. That being said, they list influences that run from The Beatles and Queen to Muse and Everclear. When I mentioned that they kind of put me in the mind of Rooney, R.K. excitedly said “yeah, Rooney, great one.”
Before we turned them loose, my daughter snapped a few pics. Meanwhile I took out my cell phone and called my younger daughter, then handed it to R.K. “Hi this is R.K. from Hot Chelle Rae, I hear you’re a big fan and know all the words to our song…we’re sorry you couldn’t come out and see us…yes, I know you’re only seven, but you’ll have to see us next time,” he said chuckling. Just the nicest young band you’d ever want to meet.
Their six song set was of course too short, but the show had to stay on schedule. HCR belted out an ironic cover of Katy Perry’s “Teenage Dream” before thundering into their top-ten hit. The latter of course got the crowd singing along and waving their hands in the air, and rightfully so. It will be nice seeing these guys play longer sets in the future as they open for more bands, and headline their own dates. No Cincinnati appearances are planned though fall. However, they are with The Script in Columbus on September 9, but not here the following evening. Bummer.
Between Hot Chelle Rae and The Downtown Fiction, we got to speak to We the Kings frontman Travis Clark. While waiting for him to come out of the tour bus, my daughter spotted Jess Bowen, drummer for The Summer Set. Pictures were taken, shirt signed, and a brief discussion of girl drummers took place. My daughter is also a percussionist.
Back behind the tour bus we met Travis Clark, who seemed rather shy. I asked if his band, We the Kings, felt like the older brothers on this tour with so many young bands. “It’s weird,” he began, “we’re all the same age, we just started earlier.” The band formed while its members were all in junior high school. “It seems like we’ve done this forever. It seems we learn stuff from every band we tour with, whether we’ve been together longer than them or not.” At that point my young assistant took over asking the most girly question she could think of.
“How long does it take to do your hair?” Mr. Clark has an apparently well-kept red ‘do.
“I think I roll around a lot when I sleep and it becomes half dreads and half craziness,” he offered. “A lot people say it’s filled with secrets. Everyday it’s something different.”
What band would Clark like to tour with she then asked. The not-surprising answer: Coldplay. “I think I would go crazy if we toured with them,” he said. “Chris Martin is one of my favorite songwriters, and I would watch them every night, jaw wide opened.”
We made it back inside in time for The Downtown Fiction, who were pretty indistinguishable from the other acts. Lead singer Cameron Leahy looked like he could have been fronting an ‘80s band, and seemed to channel the late Michael Hutchence of INXS at times. That was kind of cool.
The Summer Set, who we’d seen earlier in the year when they opened for All Time Low, sounded good, but not great. That seemed to have more to do with the sound system however, than the band themselves. Everyone sounded a bit muddy really. That or my ears were shot by the time TSS hit the stage.
We the Kings began their set at around 9:30 and finished up just under 90 minutes later. Oddly, there was no encore, though it certainly would have been welcome. They played several new songs from their fine current album Sunshine State of Mind, finishing with their signature track “Check Yes Juliet.”
Afterwards, the members of all five bands dispersed throughout the venue to meet the fans. All four members of Hot Chelle Rae stood in the lobby and shook hands, took photos, and signed stuff. Members of other groups stood at the merch table, mingled in the seating area, or hung out behind hall. They all seemed happy to do it, and indeed were enjoying themselves. We snapped a few more pick and headed home to Cincinnati , my daughter already planning her next concert.
Between Hot Chelle Rae and The Downtown Fiction, we got to speak to We the Kings frontman Travis Clark. While waiting for him to come out of the tour bus, my daughter spotted Jess Bowen, drummer for The Summer Set. Pictures were taken, shirt signed, and a brief discussion of girl drummers took place. My daughter is also a percussionist.
Back behind the tour bus we met Travis Clark, who seemed rather shy. I asked if his band, We the Kings, felt like the older brothers on this tour with so many young bands. “It’s weird,” he began, “we’re all the same age, we just started earlier.” The band formed while its members were all in junior high school. “It seems like we’ve done this forever. It seems we learn stuff from every band we tour with, whether we’ve been together longer than them or not.” At that point my young assistant took over asking the most girly question she could think of.
“How long does it take to do your hair?” Mr. Clark has an apparently well-kept red ‘do.
“I think I roll around a lot when I sleep and it becomes half dreads and half craziness,” he offered. “A lot people say it’s filled with secrets. Everyday it’s something different.”
What band would Clark like to tour with she then asked. The not-surprising answer: Coldplay. “I think I would go crazy if we toured with them,” he said. “Chris Martin is one of my favorite songwriters, and I would watch them every night, jaw wide opened.”
We made it back inside in time for The Downtown Fiction, who were pretty indistinguishable from the other acts. Lead singer Cameron Leahy looked like he could have been fronting an ‘80s band, and seemed to channel the late Michael Hutchence of INXS at times. That was kind of cool.
The Summer Set, who we’d seen earlier in the year when they opened for All Time Low, sounded good, but not great. That seemed to have more to do with the sound system however, than the band themselves. Everyone sounded a bit muddy really. That or my ears were shot by the time TSS hit the stage.
We the Kings began their set at around 9:30 and finished up just under 90 minutes later. Oddly, there was no encore, though it certainly would have been welcome. They played several new songs from their fine current album Sunshine State of Mind, finishing with their signature track “Check Yes Juliet.”
Afterwards, the members of all five bands dispersed throughout the venue to meet the fans. All four members of Hot Chelle Rae stood in the lobby and shook hands, took photos, and signed stuff. Members of other groups stood at the merch table, mingled in the seating area, or hung out behind hall. They all seemed happy to do it, and indeed were enjoying themselves. We snapped a few more pick and headed home to Cincinnati , my daughter already planning her next concert.